Instrumental technique may be considered as the interface between concept and sound. Our technical prowess determines how effectively our ideas flow from imagination, through the instrument, to the listener. The definitions we create of technique, guide our practice and teaching. They may be a liberating or limiting factor. We inevitably acquire a set of judgements around what is appropriate technique, and what is not.
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Piano instruction books often depict ‘the right posture for playing piano.’ They may illustrate a pianist with a straight back, feet on the floor, and forearms parallel to the floor. There are advantages and disadvantages to presenting images like this. If a student were to hold this position, the holding may become very limiting for piano technique, not to mention tiring! Through an investigation into positive poise, we can explore some principles of coordination for playing.
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The Alexander Technique has a remarkable relevance to any vocation - be it trade, art or sport. It deals with fundamentals of human coordination and has a set of principles which organise specialised skills into a constructive framework. Effective prioritisation of attention is a characteristic of positive coordination. Many attempts to find relief from pain, or to improve performance, fail because a certain hierarchy is neglected.
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