contact us

Use the form on the right to contact us.

You can edit the text in this area, and change where the contact form on the right submits to, by entering edit mode using the modes on the bottom right.

50 Hortense St
Glen Iris, VIC, 3146
Australia

0490 126 293

Practice of Jeremy Woolhouse, pianist and Alexander Technique Teacher in Melbourne, Australia

Specialist in working with musicians, RSI, posture re-education, neck, back and chronic pain management. 

Articles on Alexander Technique in life - by Jeremy Woolhouse

Monthly blog articles by Jeremy Woolhouse.  Alexander Technique for daily life, music performance, specialised activities, pain relief and management.

Filtering by Tag: musicians

Embodied Training for Instrumental Technique

Jeremy Woolhouse

Instrumental technique may be considered as the interface between concept and sound.  Our technical prowess determines how effectively our ideas flow from imagination, through the instrument, to the listener.  The definitions we create of technique, guide our practice and teaching.  They may be a liberating or limiting factor.  We inevitably acquire a set of judgements around what is appropriate technique, and what is not.

Read More

Positive posture at the piano

Jeremy Woolhouse

Piano instruction books often depict ‘the right posture for playing piano.’  They may illustrate a pianist with a straight back, feet on the floor, and forearms parallel to the floor.  There are advantages and disadvantages to presenting images like this.  If a student were to hold this position, the holding may become very limiting for piano technique, not to mention tiring!  Through an investigation into positive poise, we can explore some principles of coordination for playing.

Read More

Considerations in position of the piano stool

Jeremy Woolhouse

When asked about school chairs, FM Alexander is quoted as saying “We need to educate our children, not our furniture.”  The same can be said about the piano stool - it is far more profound and fundamental to learn to change one’s coordination than to learn where to put one’s stool.  The former also informs the latter.  We can look to Alexander Technique not for a prescribed position of piano stool, but for principles which can guide our decision making.

Read More

From pain to proficiency playing piano

Jeremy Woolhouse

Moving from pain management and prevention of injury, to confidence, technical and musical proficiency at the piano.

Of all the instruments, piano may appear to have a most straightforward ergonomic. The pianist doesn’t have to hold the instrument, control breathing, deal with major symmetry challenges or contort for fingering. In spite of this, the rate of pain reported by pianists is high. Wrist pain, hand or forearm tension, tendinitis, carpal tunnel, frozen shoulder and back pain are commonly experienced by pianists.

Read More

Constructive thinking in performance

Jeremy Woolhouse

A fine balance is required in the performing arts.  Attention must be divided among essential specifics, and simultaneously be united towards coordinated performance.  Too much attention on one aspect is as disastrous as too little.  

When musicians perform, we consciously initiate certain aspects of coordination and action.  Many more processes are managed outside of our consciousness.  Some, we can learn to become aware of, and we may learn to directly modify these.

Read More

Alexander Technique and RSI

Jeremy Woolhouse

Musicians and computer users are at the top of the list for Repetitive Strain Injuries (RSI).  
Alexander Technique’s unique approaches make it a powerful tool in prevention and management of RSI symptoms.  poise and action in accord with Alexander Technique principles promotes long term resolution of underlying causes of strain.

Read More